Blog archives for July, 2010

I am passionate about inspiring children to explore their love of music through violin.  Many programs are one size fits all …you’re paying for a lease.  You’re paying for marketing.  This is not always the best for families as a whole.  

My lesson studio is tailored to the unique interests and learning style of your child.  You don’t have to be an expert musician yourself in order for your child to succeed at violin nor do you have to drop all of your other obligations so that violin dominates your family’s life.
 
Music lessons are about building confidence, creativity, relationships with both child and family, commitment to goals and…fun!

With 14 years of experience as a private instructor, I am also an active performing musician and recording artist in not just Classical, but Jazz, Celtic and Folk.  I hold a Master’s degree in Violin and have taught in public, private and collegiate school settings.  I have a very low turnover rate amongst my students and can provide many references.  Best of all, I am a mama and I understand intimately the privilege it is to be an influence in a child’s life.  I only want the best for my daughter and know that you feel the same about your child.

I welcome enthusiastic beginner, intermediate and advanced students from age 4-19 to my NW Portland studio.  For more information including references please e-mail me or give me a call! 

Fall schedule begins the week after Labor Day!

NEXT WENDY GOODWIN SHOW:  THURSDAY, AUGUST 5th at Sherman Clay Moe’s Pianos  7-8:30 PM

I’m struggling to find the right adjectives to properly convey how much I loved singing and playing with George Mitchell, Kevin Deitz and Ron Steen last night at Wilfs.  For one thing, it’s as if these three gentlemen of jazz share a collective brain when they are playing-each giving authoritative pizzazz yet always playing as a team.  As a guest artist, it’s the musical equivalent of being supported by 3 pairs of strong arms… not so scary to lean out over the edge when you’re in such secure company!

I was also blessed to have such a great group of friends come out for the show.  Looking out and seeing the familiar faces dotting the landscape who support and encourage me in so many ways was awesome.

To top it off, some other fantastic jazz artists were at the show and performed a few tunes—the iconic drummer Dick Berk and smashingly talented vocalist and pianist Laura Cunard.

If you are just getting acquainted with me, and wondering why you haven’t seen me around town, it has to do with a few things-

1.  I tend to play in unrelated genres—right now, I’m working with Celtic/Contemplative Seattle based artist Jeff Johnson and Puck Fair Flutist Brian Dunning.  While these two gentlemen actually have plenty of connections to the Portland Jazz Scene, the Celtic trio performs in churches and concert venues and tours seasonally.

2.  I play a LOT of private events—after finishing school, I started Effesenden Music, a wedding and event music company.  Effesenden gives me the opportunity to play lots of styles of music with a variety of musicians.  It gives me an excuse to do a lot of arranging of pop music for strings, and it gives me the chance to help people with a special day in their lives.  And to be totally honest… I LOVE weddings! 

3.  I have played in bands and appeared as a side woman with many different artists including Rising Violet, Lori Willcuts, Drew Grow, Kelly Jones, Nate Macy, Michael Allen Harrison, Michelle Tumes, Laura Gibson, Tasha Miller, Adam Sweeney, Bryan Clark and more, but have only recently begun appearing under my own name.  Though I love performing, I have always been sort of embarrassed about drawing attention to myself.  In the past I’ve often appeared under the name Effesenden.  When I started writing music though, it seemed natural to start appearing… well…as myself!

I’m looking forward to what lies ahead—in a couple of weeks I’ll be at Sherman Clay Moe’s Pianos (August 5th 7-8:30 p.m.) If you’d like to be kept in the loop of future shows, drop me a line. 

My favorite scene in any movie of all time can be found in White Christmas.  Wallace and Davis (aka Danny Kay and Bing Crosby) have just come to see the Haynes Sister act (aka Vera Ellen and Rosemary Clooney.)  Hoping sparks will fly between the workaholic Wallace (Crosby) and the mother hen (Clooney), Danny Kay and Vera Ellen’s characters leave the dinner table to share a dance sequence that starts on the ballroom floor and works its way outside culminating on the roof of a veranda.  In the old movies and the musicals, there is angst and love, friendship and conflict but the emotions are ALWAYS big and you know what they do when they are trying to figure things out?  They sing about it! 

In jazz there is that element of history—the old movies, the gorgeous evening gowns, the debonair man in the smoking jacket, combined with that “in the moment” improvisation and style—never the same way twice!  With jazz, you’re not trying to sound like so and so’s amazing Carnegie Hall recording… you’re trying to give the song what it needs at this exact second.  You’re trying to sound like yourselves… and it’s a communal effort.  You listen, you respond, you musically converse. 

To prepare, rather than practicing a passage over and over again until you can play it exactly like Joshua Bell or sing it like Kathleen Battle, you dissect the song until you understand its very fiber.  You explore what could be.  Then you take your ideas and you tuck them in the back of your head because everything could change in the moment with the collective creativity of the band, the house, the magic in the air. 

THIS is why I love jazz!